Verdad Magazine Volume 33
Fall 2022, Volume 33
Poetry by Greg Sendi
The Green Lion and the Sun
In 1794, he was forced to accept the humiliating position of music teacher in the small central German town of Jena. In the last years of his life he worked on several ambitious compositions, which however never materialized. His fervent enthusiasm for the pursuit of alchemy remained the only joy of his final years.
—Mikael Helasvuo
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Hey, I listened again |
to the audition excerpts. |
For whatever your |
old man’s opinion is worth, |
I thought they were winners. |
When I hear you practice now, |
the Bach, the Bartók, |
anything, |
I think I hear |
what you’re trying to do |
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with the voices. |
Yours aren’t the soaring kind |
although sometimes, |
when I think |
you’re not trying |
or not expecting it, |
(I mean let me just say |
I’m obviously |
no expert, right?) |
But they really will! |
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They’re the everyday kind, |
taverns and truckstops. |
Plenty of wet slaps, |
gagging and screams. |
Old men sucking their teeth. |
A toddler losing her shit |
in a uriney PlayPlace ballpit |
in Wilkes Barre or Tulsa. |
I hear |
all that. |
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I see what you’re about |
with the on-purpose messy. |
All I’ll say is |
it’s important |
not to make a religion |
out of one’s limitations, right? |
I’m not saying, |
you know. I mean. |
Hey, what’s the difference |
between a viola and a coffin? |
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The coffin has |
the dead person on the inside. |
Ok, funny, fine, |
but really, who’s dead |
and who’s alive is |
an open question. |
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Fuck the soarers, |
anyway. |
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As for Charlie, |
think about how, early on, |
flirty Fraulein Pilz, |
over a game of Doppelkopf, |
believing she |
had herself a catch, |
might have held back |
her Jack of Clubs |
to take a trick, |
then called him Charlie, too |
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Karlchen, right? |
They both laugh |
like dopes. |
He thinks he’s courting her, |
but anyone with eyes can see |
who’s running that show. |
Look, everyone |
is bumping up |
against the boundaries |
of a cosmos |
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that is mostly a lockup, |
a confinement. |
It’s always the place |
of our encroaching |
miscreants and demons. |
In his (your Charlie, not hers), |
he just doesn’t want you |
to be blasted by the haboob |
of catastrophe |
he’s convinced will sweep |
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in with them, |
in the same way |
he doesn’t want you to be shot |
to death |
(presumably by a gang |
of Chinese or Korean violists) |
near the Art Institute lions |
or the Bean. |
It’s the last gift of his Isora |
toxicum ex machina |
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all spectrumy madness |
and rooted |
in a bitterness crying out |
for magic to set it right. |
Near the end, I think |
maybe everyone puts |
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all their chips on magic. |
Atheists and foxholes, &c. |
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Mozart met him |
(her Charlie, not yours) |
I guess in Paris? |
and thought |
he and his brother Anton |
were degenerates. |
Maybe they were. |
On the other hand, |
think about how |
it’s just about that time |
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he becomes so |
painfully aware |
of the limitations |
of his own voice. |
He’s hearing something |
like that heartbreaking |
E minor violin sonata |
and realizing the jig is up. |
Let’s say all of it is true, |
the gambling, drinking, |
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debaucheries with |
doll-like, lead-addled, |
Venetian ceruse-covered |
deformities in Rococo halls |
and it’s then, perhaps, |
he first starts to steer into |
those bizarre and gorgeous, |
exotic, gnostic volumes |
full of codes and mysteries |
the illuminated books. |
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He succumbs |
to the temptations of shortcuts |
to those high places |
he is just realizing |
he can’t reach |
on his own. |
He had no eyes |
(how could he?) |
for what I think |
you’re trying to do. |
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In the end, I wonder |
if it was about gold at all |
Maybe more a Robert-Johnson- |
at-the-Crossroads deal. |
Faust, like Dracula, |
or Darth Vader today, |
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was known to |
every schoolchild. |
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Or think about how |
at The Hague, I guess, |
they say he performed |
with a 12-year-old Beethoven. |
That makes him 38. |
He’s been clawing at it |
for as long as |
he can remember, |
since Mannheim, a boy |
in his father’s shadow, |
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and doesn’t know |
any other life. |
Then here’s this scowly child, |
this little shit, |
who makes him look |
like an organ grinder monkey. |
But most of all, |
I’m thinking about later |
at Jena, |
nearer the end. |
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Imagine the scolding |
for coming home |
to Maria Josepha with |
the weird, dusty old book |
instead of the table linens |
she had sent him for. |
After all the confinements |
and dead babies |
(four in a row— |
four!—Christ), |
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she might have clutched |
her abdomen |
and asked for Antonia |
to take her away from |
“this cloddish old Bohemian.” |
No more |
Karlchens for him. |
With the linens, |
they could perhaps |
host Gottschald |
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and secure him something |
at the Garnisonskirche |
or, at a minimum, |
lessons |
with the children |
of that quarter. |
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Could he not do even |
the simplest thing? |
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Imagine how he might, |
for a moment, |
have tried to show her |
the lush and careful diagrams |
and imagery inside, |
the green lion |
devouring the sun, perhaps, |
before feeling the full |
descent and compression |
of futility and shame. |
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Her vitriol for his, |
a ritual of purification, |
Visita Interiora |
Terrae Rectificando |
Invenies Occultum |
Lapidem. |
He would have taken |
his medicine. |
Such a magic beans |
situation for the old boy. |
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I’m coming around |
to understanding that |
the messy is where |
compassion lives. |
The dirty as |
I think you call it. |
It’s not going to be |
an easy path, obviously. |
It’s like listening |
to a child squirming |
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and not quite holding |
it together at a funeral maybe? |
The live person |
on the outside. |
That’s going to be |
where the real sorcery happens. |
That’s the story, |
I think. A blind fiddler |
in a tavern playing |
Voi che sapete. |
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Anyway, |
I’m proud of you. |
You’re doing |
something interesting. |
How many of us |
can say that? |
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I mean I. You know. |
Biggest fan. |
BIO: Greg Sendi is a Chicago writer and former fiction editor at Chicago Review. His career has included broadcast and trade journalism as well as poetry and fiction. In the past year, his work has appeared or been accepted for publication in a number of literary magazines and online outlets, including Apricity, Beyond Words Literary Magazine, The Briar Cliff Review, Burningword Literary Journal, Clarion, CONSEQUENCE, Flashes of Brilliance, Great Lakes Review, The Headlight Review, The Masters Review, New American Legends, Plume, Pulp Literature, San Antonio Review, Sparks of Calliope, and upstreet.